Star’s Library is publishing adult, erotic and violent poetry in the genres of science-fiction, fantasy, and romance. This library is only for people 18 years of age or older.
Hello! My name is Star. I am a Wiccan poet from Colorado. Other than writing, I bicycle, play Diplomacy, and develop video games. When I first accepted myself as transfemme years ago, I did so by writing a poem. Through writing, I've learned how to find inspiration from my fears, and honor in who I am as a woman. When I decided to claw my way out from the tomb I buried myself within, I did so because I found happiness for the first time in my life within transfemininity, and I did so with the pen as my only tool. What I want most of all in this world is peace. This library is my contribution, living proudly and loudly as who I am. Let's build a better world together.
Many artists inspire my work. I believe that the sharing of art is the primary driving force behind building a better world. I would like to shine a spotlight upon the following artists, for I have found my own voice within their footsteps.
I write everything on paper first. I always try to keep my channels for creativity open, collecting interesting plot ideas and emotions in my head while I go about my day. When I sit down with my fountain pen and mountain of notebooks, much of my writing is in the stream of consciousness. I jump around between dozens of writing projects, often starting new ones, and write the parts that I feel drawn to within myself. I’ve found that I enjoy writing most prominently as a form of catharsis, when I feel exhausted, tormented, or lonely—when I’m too overwhelmed by anxiety to sleep and too choked by hopelessness to keep track of my sanity. I write in these times and I again find love.
Once I’ve created some incoherent ramblings in my notebook, I will compile a plot-index page. I assign a sequence to the pages that tie together, and note what other plot points I need to cover in order to form something cohesive. I pick away at these placeholder notes, and repeat the process as I discover more elements needed to weave the whole story.
Then, for the lucky few works that I appreciate, I digitize them out from the notebook. No editing is permitted yet, I just type what I see despite how many issues I come across. Only when the whole work is digitized do I allow myself to begin the editing process. Editing starts with rereading and reordering. Vast portions of the work are spliced into different locations to breathe more life into the emotions I wish to elicit. This concludes the first draft. In the second draft, I expand the work where I feel it’s missing something, sometimes going back into my notebook to write another poem. I focus on consistency during this time, marking character and environment features while restructuring the dialogues to refine a unique flavor for each speaker. Finally, I start sharing the work.
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